Practice Studio

AC/DC - Girls Got Rhythm - Guitar Lesson

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key A major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1979 A major
Capo Advisor 0 A major · Original key

About Girls Got Rhythm


Few riffs in hard rock are as satisfying to lock into as the one driving "Girls Got Rhythm." AC/DC built the track around a relentless, syncopated A major groove that sits right in the pocket, and getting that feel right is the real challenge. The rhythm guitar part looks simple on the page but demands tight right-hand control: every chunk has to land with the same weight, and the spaces between the hits matter just as much as the hits themselves. Pay close attention to the palm muting and where it lifts, because that contrast is what gives the riff its swagger. If the syncopation keeps throwing you off, use the Practice Toolbar to loop the opening bars slowed down until your strumming hand internalizes the pattern without you having to think about it. Once the rhythm is automatic, focus on keeping your tone consistent across every chord hit as the tempo builds.

  • The main riff sits in A major and uses open-position power chords with a syncopated strum pattern that rewards slow, deliberate practice before playing up to speed.
  • Palm muting contrast is central to the riff's feel: knowing exactly when to lift the mute is as important as fretting the chords cleanly.
  • Released on the 1979 album Highway to Hell, the track is a strong introduction to AC/DC's straight-ahead, groove-first approach to rhythm guitar.

How to Play Girls Got Rhythm

Key: A major · Tempo: 132 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 132 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)