Practice Studio

Billy Squier - The Stroke - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Billy Squier Hard Rock E minor
Capo Advisor 0 E minor · Original key

About The Stroke


Few riffs from the early 1980s hit as hard as the one that opens "The Stroke." Built around a driving, repetitive E-based figure in E Standard tuning, the riff sits right in the pocket at 120 BPM and relies almost entirely on right-hand attack and groove rather than technical complexity. Getting it to feel as locked-in and physical as it does on the record is the real challenge: the pick attack needs to be aggressive but controlled, and every note has to land squarely on the beat. Because the riff repeats so many times throughout the song, any sloppiness in your muting or timing compounds quickly. Use the Practice Toolbar to loop the main riff slowed down until the motion is completely automatic in your fretting and picking hand before bringing it back up to tempo. Billy Squier wrote the song in E minor, which gives the whole thing a tense, coiled feel that rewards playing with conviction rather than finesse. Fans of Hard Rock will find this an excellent study in how a single, well-executed riff can carry an entire track.

  • The main riff is rooted in E minor and played in E Standard tuning, making it immediately accessible for guitarists already in standard tuning.
  • At 120 BPM the groove feels deceptively easy, but tight palm muting and consistent pick attack are essential to locking it in properly.
  • Because the riff repeats throughout the song, looping it slowed down with the Practice Toolbar is the most efficient way to build reliable muscle memory.

How to Play The Stroke

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Telecaster
Guitar

Fender Telecaster

Squier used the Telecaster for tighter, more cutting rhythm tones, its single-coil snap providing articulate definition that contrasted with his Les Paul's thick crunch on tracks requiring clearer attack.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

His primary instrument through the classic era, the late '70s Les Paul Standard with stock humbuckers delivered the thick, sustaining crunch defining hits like 'Lonely Is The Night' and 'The Stroke.'

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

While not explicitly his main axe, a Custom would complement Squier's palette with similar humbucker warmth and sustain, offering slightly different tonal character for studio layering and alternative voicings.

Gibson ES-335
Guitar

Gibson ES-335

The semi-hollow ES-335 gave Squier cleaner, more resonant studio tones with natural airiness, perfect for arpeggiated sections and smoother passages requiring less saturation than his solid-body work.

Marshall JCM800
Amp

Marshall JCM800

Cranked hard in isolation booths for power-tube breakup, the JCM800 was fundamental to Squier's tone, delivering that compressed-but-punchy character with natural saturation while maintaining palm-mute definition.

MXR Carbon Copy Analog Delay
Pedal

MXR Carbon Copy Analog Delay

This analog delay matches Squier's subtle approach to effects, adding space to his lead lines without obvious repeats, complementing his amp-driven philosophy where tone comes primarily from cranked tubes.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)