Practice Studio

Jeff Beck - Cause We've Ended as Lovers - Guitar Lesson

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Key G minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Jeff Beck Blues Rock G minor
Capo Advisor 0 G minor · Original key

About Cause We've Ended as Lovers


Few instrumental guitar pieces demand as much pure expression as "Cause We've Ended as Lovers." Written by Stevie Wonder and performed by Jeff Beck on his 1975 album Blow by Blow, the track is essentially a vocal melody played on guitar, which means every note has to sing with the weight of a lyric. Beck's signature approach here is his near-total reliance on volume-knob swells, finger vibrato, and a whammy bar used for subtle pitch inflections rather than dramatic dives. There is no pick involved in his playing on this track, so practising it fingerstyle will get you closer to that fluid, legato tone. In G minor at a slow 80 BPM, the tempo feels generous until you realise how exposed every note is at that pace. The hardest passages are the sustained melodic phrases where controlling vibrato width and speed is everything. Use the Practice Toolbar to loop those sections slowed down, so you can focus on making each note feel intentional rather than just technically correct. This is a piece that rewards patience over speed, and it sits firmly in the Blues Rock tradition of using the guitar as a voice.

  • Beck plays entirely without a pick here, using his fingers to coax a vocal, legato tone that is central to the song's feel.
  • Controlling vibrato speed and width on sustained notes is the core technical challenge, since the slow 80 BPM leaves every phrase fully exposed.
  • The melody sits in G minor and spans a wide dynamic range, so practising with your volume knob to shape phrases is as important as the notes themselves.

How to Play Cause We've Ended as Lovers

Tuning: E Standard · Key: G minor · Tempo: 80 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 80 BPM.

Fender Stratocaster
Guitar

Fender Stratocaster

Beck's signature instrument for six decades, the Strat's bright articulation and responsive tremolo system let him manipulate pitch and dynamics with surgical precision. The two-point synchronized tremolo with steel block provides the tuning stability he needs for extreme whammy bar work.

Fender Telecaster
Guitar

Fender Telecaster

Beck turned to the Telecaster's raw, cutting tone for blues-rock material, leveraging its single-coil bite and direct signal path to channel aggressive fingerstyle playing without a thick midrange.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

The Les Paul's thicker body and humbucker warmth offered Beck a contrasting sonic palette during his Yardbirds era, giving him sustain and body for heavier blues-based riffs.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Beck's oxblood 1954 Les Paul Custom provided the foundational fat midrange and sustain he needed when transitioning from the Fender Strat's brighter character during early career explorations.

Marshall JCM800
Amp

Marshall JCM800

Beck's amp workhorse for decades, the JCM800 delivers responsive tube breakup that rewards finger dynamics and volume knob control, with mids pushed forward to complement his articulate single-coil tone.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Beck uses the Cry Baby's expressive filter sweep selectively on key tracks, treating the wah as a subtle tone-shaping tool that enhances his natural fingerstyle dynamics rather than a constant effect.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)