Practice Studio

AC/DC - Hells Bells Pt.2 - Solo - Guitar Lesson

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key A minor
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1980 A minor
Capo Advisor 0 A minor · Original key

About Hells Bells Pt.2 - Solo


Angus Young's solo in "Hells Bells" is a study in restrained, bluesy expression rather than speed or flash. Sitting in A minor, it leans heavily on pentatonic phrasing with wide, vocal-sounding bends and deliberate vibrato that need real left-hand control to land convincingly. The slow, heavy feel of the track means every note is exposed, so rushing even slightly will stick out against the band's locked-in groove. Getting the bends in tune and holding the vibrato at a consistent width are the two things most players underestimate here. Use the Practice Toolbar to loop the bend-heavy phrases slowed down until your pitch accuracy is solid before bringing the tempo back up. AC/DC built their reputation on economy and feel over technical complexity, and this solo rewards that same mindset: nail the phrasing and the tone will follow.

  • The solo sits in A minor pentatonic and relies on precise, wide string bends rather than fast scalar runs, making intonation the main challenge.
  • A clean, slightly overdriven tone with natural amp sustain suits this solo well, since overly compressed or high-gain settings will mask the nuance of the bends.
  • Slow the solo down with the Practice Toolbar and focus on matching the vibrato width and speed consistently across each note before attempting full tempo.

How to Play Hells Bells Pt.2 - Solo

Key: A minor · Tempo: 63 BPM

Loop each section and focus on clean, even timing rather than speed, with the metronome at 63 BPM.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)