Practice Studio

The Cult - Love Removal Machine - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Electric album cover
Electric
1987 4:19
The Cult Hard Rock 1987 E minor
Capo Advisor 0 E minor · Original key

About Love Removal Machine


Few riffs from 1987 announce themselves quite as bluntly as the one that opens "Love Removal Machine." Billy Duffy's guitar work here is all about attitude over complexity: a raw, driving E minor riff that sits right in the pocket at 120 BPM, demanding tight pick attack and a confident, slightly aggressive tone rather than any elaborate technique. Playing in E Standard keeps everything open and resonant, so let the low E string ring where the riff calls for it. The groove is deceptively simple to learn in outline but surprisingly easy to rush, so use the Practice Toolbar to loop the main riff slowed down until your pick hand is completely locked in. The Cult were leaning hard into Hard Rock on the "Electric" album, and that shift shows in the stripped-back, almost punk directness of this track. Focus on keeping the rhythm absolutely steady and your dynamics controlled.

  • The main riff is built around open E minor and sits in E Standard tuning, making it very accessible for players who want a rewarding rock workout.
  • At 120 BPM the groove feels mid-paced but demands precise, consistent pick attack to lock the riff in without letting it drag or rush.
  • The signature part is more about tone and rhythm control than technical difficulty, so practise with a clean signal first to expose any timing weaknesses.

How to Play Love Removal Machine

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Billy Duffy's go-to for heavier Cult tracks, delivering warm PAF-style humbucker tones that provide thick midrange crunch when pushed through his Marshall amp gain.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Duffy's black Les Paul Custom serves as his workhorse for overdriven passages, its stock humbuckers producing that dense, warm saturation essential to The Cult's harder-edged material.

Marshall JCM800
Amp

Marshall JCM800

The foundation of Duffy's signature overdriven tone, with preamp gain pushing natural tube saturation and power-tube compression that defined The Cult's heavier arrangements since the mid-1980s.

Mesa/Boogie Dual Rectifier
Amp

Mesa/Boogie Dual Rectifier

Added to Duffy's rig on later tours for thicker, more modern gain textures, allowing The Cult to refresh their heavy tone while maintaining clarity and sustain.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Duffy uses this classic wah for cutting lead accents and psychedelic textures, adding dynamic expression to The Cult's melodic passages and solos.

Boss CE-2 Chorus
Pedal

Boss CE-2 Chorus

Paired with his Roland JC-120's built-in chorus, the CE-2 augments Duffy's signature lush, spacious tone that defines The Cult's atmospheric clean sound across hits like 'She Sells Sanctuary'.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)