Practice Studio

Loverboy - Working for the Weekend - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Get Lucky album cover
Get Lucky
1981 3:41
Loverboy Hard Rock 1981 E major
Capo Advisor 0 E major · Original key

About Working for the Weekend


Few riffs from the early 1980s are as instantly recognizable as the driving, palm-muted power-chord groove that kicks off "Working for the Weekend." In E major and standard tuning, the part sits comfortably in open position, but nailing the tight, punchy feel is what separates a competent run-through from a convincing one. The tempo sits at a steady 120 BPM, which feels relaxed until you try to keep the right hand locked in and consistent through every chord change. Pay close attention to the rhythmic feel: the energy comes from how crisply you release each chord rather than just hitting it. The chorus riff adds a brighter, higher-register melody line that asks for clean position shifts up the neck, and that transition is worth isolating in the Practice Toolbar at a reduced speed until the movement becomes automatic. Loverboy kept the guitar work squarely in the Hard Rock tradition of tight, radio-ready riffs built for maximum impact with minimal clutter.

  • The main riff is built on palm-muted power chords in E standard tuning, making it a solid exercise in right-hand muting control.
  • At 120 BPM the chord changes feel approachable, but keeping the rhythmic attack uniform across every strum is the real challenge.
  • The chorus features a higher-register melodic guitar line that requires clean, confident position shifts, a good section to loop slowed down.

How to Play Working for the Weekend

Tuning: E Standard · Key: E major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Paul Dean's modified Strats featured bridge humbuckers that transformed the guitar's natural brightness into a thick, aggressive tone perfect for Loverboy's power chords. Hot-rodded electronics let him switch between humbucker punch and single-coil clarity across the keyboard-heavy arrangements.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Dean wielded Les Pauls for their inherent warmth and sustain, complementing his humbucker-equipped Strats and providing the thick, woody foundation needed to cut through Loverboy's synth-laden production.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

The Les Paul Custom gave Dean an even more refined, high-output tone that paired perfectly with his Marshall's natural breakup, delivering the sustained, full-bodied lead lines that defined Loverboy's arena rock sound.

Marshall JCM800
Amp

Marshall JCM800

Dean's JCM800 heads drove 4x12 cabinets with moderate gain that thickened power chords and added sustain while preserving note definition, with prominent mids designed to slice through Loverboy's keyboard-heavy mix.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

The ISP Decimator kept Dean's layered studio tracks tight and noise-free, essential for controlling the high-output humbucker signal and maintaining clarity across Loverboy's complex multi-tracked arrangements.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)