Practice Studio

AC/DC - Moneytalks - Guitar Lesson

Sections · Loop · Speed · Metronome

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Select a Loop

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Speed Control

Speed
100%

Tools

BPM
Key B major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1990 B major
Capo Advisor 0 B major · Original key

About Moneytalks


Written by Malcolm and Angus Young, "Moneytalks" from The Razors Edge (1990) is a sharp lesson in what makes AC/DC tick: a locked-in, mid-tempo groove built on a deceptively simple guitar riff that sits right in the pocket. The trick is not speed but feel. Malcolm's rhythm work here is a clinic in tight, percussive down-picking, and matching that attack and consistency is harder than it looks. Angus layers over the top with a tone that cuts without being busy, so every note choice counts. Playing in B major keeps things nicely crunchy in the lower register, which rewards a guitar with a bit of natural warmth in the mids. If the main riff feels sloppy at full tempo, use the Practice Toolbar to loop it slowed down and focus on keeping your pick attack even across every chord. Once the groove locks, the whole song falls into place.

  • The signature riff relies on tight, percussive down-picking, so stamina and pick control are the primary technique challenges here.
  • Playing in B major sits the riff in a punchy low-to-mid register, rewarding a naturally warm guitar tone rather than pure treble bite.
  • Looping the chord-change transitions slowed down is the fastest way to clean up any hesitation in the rhythm part before running it at full speed.

How to Play Moneytalks

Key: B major · Tempo: 126 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 126 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)