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AC/DC - Whole Lotta Rosie - Guitar Tab

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Key A minor
AC/DC - Whole Lotta Rosie guitar tab video
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Let There Be Rock album cover
Let There Be Rock
1977 5:25
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AC/DC Hard Rock 1977 A minor
Capo Advisor 0 A minor · Original key

About Whole Lotta Rosie

"Whole Lotta Rosie" is a hard rock track by AC/DC, written by Angus Young, Malcolm Young, and Bon Scott. It closes the band's 1977 album Let There Be Rock, widely regarded as a milestone in hard rock. For electric guitarists, the song is a essential study in high-energy rhythm playing, Angus Young's signature lead style, and the tight, driving interplay between two electric guitars that defines the AC/DC sound.

  • The song was co-written by all three: Angus Young, Malcolm Young, and Bon Scott, reflecting the band's collaborative songwriting approach.
  • At just over five minutes long, the track gives guitarists extended time to explore both rhythm and lead electric guitar dynamics.
  • It closes Let There Be Rock on both the Australian and international releases, making it a deliberate album-ending statement.

How to Play Whole Lotta Rosie

The song moves through: Intro, Verse, Chorus, Solo, Bridge.

Key: A minor · Tempo: 160 BPM · Difficulty: Medium

The foundation of this song is Malcolm Young's relentless rhythm part, built around a driving A-based power-chord riff in A minor that must stay locked and aggressive throughout at 160 bpm in E Standard. Most players underestimate the stamina required to keep the rhythm part tight for the full five-plus minutes, so isolate the main riff and practice it until the pick attack feels automatic before tackling the solo. Angus Young's lead work in the solo section uses blues-inflected bends and vibrato in the A minor pentatonic box, and the common pitfall is rushing the bends rather than committing fully to each one. Use the section loop on the solo to drill individual phrases at reduced speed, focusing on bend accuracy before pushing toward full tempo.

Loop the hardest passage and creep the speed up from around 70 percent until it holds at 160 BPM.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

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