Practice Studio

Guns N' Roses - Locomotive 3 - Guitar Solo Tab

Sections · Loop · Speed · Metronome

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Select a Loop

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End of your loop

Speed Control

Speed
100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 E minor · Original key

About Locomotive 3


Few songs on the Use Your Illusion records demand as much stamina from a guitarist as "Locomotive." Clocking in at around 8 minutes and built in E minor at 120 BPM, it moves through several distinct sections, so knowing where you are structurally is half the battle. The main riff leans hard on palm-muted low-E chugging with sharp rhythmic accents, and staying locked in with the kick drum is what separates a clean run from a sloppy one. Slash layers in lead work that sits right on top of a dense rhythm track, so tone and pick attack matter more than speed here. The section transitions are the trickiest part: the tempo feels like it shifts in mood even when it does not, so use the Practice Toolbar to isolate each transition slowed down until the movement feels natural. Guns N' Roses wrote this as a deep cut for serious listeners, and it rewards the guitarist who treats it the same way. E Standard tuning means no retuning needed, but the song will absolutely expose any weakness in right-hand consistency.

  • The song sits in E minor and E Standard tuning, so no retuning is required, but the extended runtime will test your right-hand endurance across multiple riff sections.
  • Palm-muted low-E riffing is central to the rhythm guitar part, and keeping that mute tight and consistent at 120 BPM is the core technical challenge.
  • The song spans several structural sections with distinct feels, making section transitions a key thing to isolate and loop slowed down before attempting a full run-through.

How to Play Locomotive 3

The song moves through: Intro, Solo 1 100%, Solo 1 60%, Solo 2 100%, Solo 2 60%, Solo 3 100%, Solo 3 60%.

Tuning: E Standard · Key: E minor · Tempo: 120 BPM

The arrangement runs through 7 distinct sections, and the solo is the steepest jump, so isolate it on its own.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

Slash's weapon of choice, particularly late-'50s specs with mahogany bodies that deliver the thick, singing tone heard throughout 'Appetite for Destruction.' The Les Paul's weight and sustain complement his cranked Marshall, allowing solos to bloom with harmonic richness.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Offering a slightly different tonal character with a thinner body profile, the Custom gives Slash an alternative voice while maintaining the Les Paul's core warmth and sustain essential to his signature lead sound.

Marshall JCM800
Amp

Marshall JCM800

The split-channel JCM 800 2205 defines Slash's crunch, delivering natural tube saturation and midrange presence without artificial scooping, crucial for maintaining clarity in heavily driven passages.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

Modified 1959 Super Lead amps pushed hard created the iconic raw power and harmonic distortion of 'Appetite for Destruction,' with power tube breakup that shaped GNR's raw, blues-rooted rock sound.

Seymour Duncan Alnico II Pro
Pickup

Seymour Duncan Alnico II Pro

These lower-output Alnico II humbuckers retain dynamic expressiveness even when the Marshall is cranked, producing a warm, slightly soft attack that makes Slash's tone creamy rather than harsh.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Slash's signature SW-95 wah adds vocal expression to solos like 'Civil War' and 'Estranged,' staying true to his minimalist pedalboard philosophy where tone comes primarily from guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)