Practice Studio

Iron Maiden - Aces High Dave Murray's - Guitar Solo Tab

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Speed
100%

Tools

BPM
Key D minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Capo Advisor 0 D minor · Original key

About Aces High Dave Murray's


Dave Murray's lead work in "Aces High" by Iron Maiden is a clinic in high-energy Heavy Metal guitar playing. The song sits in D minor at 120 BPM in E Standard tuning, and that tempo keeps the pressure on from the very first bar. Murray's melodic phrasing over the galloping bass is where most of the challenge lives: you need clean alternate picking and smooth position shifts to keep the lines from falling apart at speed. The solo itself demands confident vibrato and legato runs, and it is exactly the kind of passage where looping it slowed down using the Practice Toolbar will pay off, letting you lock in each phrase before bringing it back up to tempo. Pay close attention to how the note choices follow the minor harmony through the chord changes, because rushing those target notes is the most common place this comes apart.

  • Dave Murray plays in E Standard tuning throughout, so no retuning is needed before you start.
  • The 120 BPM gallop feel demands tight alternate picking and right-hand stamina to stay clean across the full track.
  • Murray's solo relies heavily on legato runs and controlled vibrato in the D minor tonality, making both techniques worth isolating in practice.

How to Play Aces High Dave Murray's

Tuning: E Standard · Key: D minor · Tempo: 140 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 140 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)