Creator Area
Sign in Creator Area

Practice Studio

Iron Maiden - Childhood's End _Full Collab_ - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Iron Maiden - Childhood's End _Full Collab_ guitar tab video
Steph Le Gratteux
Steph Le Gratteux Top Contributor
YouTube: 63Ksubs 1.5Kviews
Creator Page →
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Iron Maiden Heavy Metal

About Childhood's End _Full Collab_

Few bands in Heavy Metal have pushed the limits of twin-guitar interplay quite like Iron Maiden, and "Childhood's End" gives you a concentrated look at how they do it. The song layers driving rhythm work with melodic lead lines that weave in and out, demanding that your picking hand stays controlled and consistent across shifting dynamics. Getting the rhythm guitar tight is the first real challenge here: the palm-muting and chord transitions need to lock in precisely, or the momentum collapses underneath the lead work. If the faster melodic runs are giving you trouble, use the Practice Toolbar to loop them slowed down until your fretting hand can place every note cleanly before you bring the tempo back up. The song also rewards attention to tone, so dialing in some gain without losing note clarity will help the melodic passages cut through the way they should. Take it section by section rather than trying to run the whole piece from the start.

  • The song features Iron Maiden's characteristic twin-guitar approach, with rhythm and lead parts that need to be learned separately before combining them.
  • Palm-muted rhythm passages are a key technique to nail here, requiring consistent right-hand pressure and clean transitions between chord positions.
  • The melodic lead runs reward slow, isolated practice, so use the Practice Toolbar's slow-down feature to work out the exact fingering before building speed.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Recommended for You

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)