Creator Area
Sign in Creator Area

Practice Studio

Iron Maiden - Como Estais Amigos Janick Gers's - Guitar Solo Tab

Sections · Loop · Speed · Metronome

Not in tune?

Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Iron Maiden - Como Estais Amigos Janick Gers's guitar tab video
Steph Le Gratteux
Steph Le Gratteux Top Contributor
YouTube: 63Ksubs 11Kviews
Creator Page →
PLAY WITH BACKING TRACK
·
–50¢ 0 +50¢
· Tap to start

Your browser will ask for microphone permission.

Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.
Iron Maiden Heavy Metal

About Como Estais Amigos Janick Gers's

Few Iron Maiden tracks ask for the kind of restrained, atmospheric playing that "Como Estais Amigos" does, and that restraint is exactly what makes it worth studying. Credited to Janick Gers, the song leans on clean or lightly driven tones, melodic lead lines, and a slower, more deliberate feel than most of what surrounds it in the Maiden catalogue. The chord work is spacious, so your left hand has nowhere to hide: every note needs to ring clearly and changes need to be smooth. The lead guitar parts sit in a reflective, almost pastoral register, and nailing their phrasing means thinking about dynamics and vibrato more than speed. If you are working on the solo or the more expressive melodic runs, use the Practice Toolbar to loop those sections slowed down so the phrasing shapes become clear before you bring the tempo back up. Iron Maiden built this as a closing statement, and that mood should guide how you approach every note you play in it. For players exploring the broader world of Heavy Metal guitar, this track is a useful reminder that dynamics and tone control matter as much as technique.

  • The song is credited to Janick Gers, making it a good study in his more melodic, expressive lead style rather than high-speed shredding.
  • Clean or lightly driven tones are central to the song's feel, so dialing in a warm, controlled guitar sound is as important as the notes themselves.
  • Slow, vibrato-rich phrasing in the lead lines rewards careful practice with the Practice Toolbar looped and slowed before attempting full speed.
Fender Stratocaster
Guitar

Fender Stratocaster

Iron Maiden's signature choice for heavy metal, the Strat's bright single-coils in neck and middle positions deliver the glassy, articulate tone that defines their melodic passages. Dave Murray and Adrian Smith pair bridge humbuckers with this platform to preserve pick dynamics and note definition rather than drowning in compressed gain.

Marshall JCM800
Amp

Marshall JCM800

The backbone of Maiden's iconic sound, the JCM800's moderate gain structure lets the power tubes sing without preamp saturation, preserving the punch and harmonic clarity that makes their riffs cut through a mix. Murray and Smith set gain moderately to maintain definition while pushing the amp into natural tube breakup.

Seymour Duncan JB
Pickup

Seymour Duncan JB

Adrian Smith's weapon of choice, the JB's balanced output drives Marshall amps into singing sustain without over-compressing dynamics, allowing his lead lines to breathe with clarity and snap. This moderate-output humbucker maintains the attack and articulation essential to Maiden's punchy, defined metal tone.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Dave Murray's bridge pickup at 13k output strikes the perfect balance, hitting the Marshall hard enough for thick sustain yet retaining enough dynamics for expressive bending and harmonic control. It's hot enough to sing but not so overwound that it flattens the natural Strat character underneath.

Boss SD-1 Super Overdrive
Pedal

Boss SD-1 Super Overdrive

Murray and Smith use this clean boost to push their Marshalls harder during solos, adding aggression without relying on pedal distortion, keeping the tube amp saturation as the true tone source. The SD-1 preserves their natural playing dynamics while giving leads extra presence and cut.

ISP Decimator Noise Gate
Pedal

ISP Decimator Noise Gate

Smith occasionally employs this noise gate to manage feedback and hum from his high-output rig without sacrificing sustain, staying true to Maiden's philosophy of minimal pedal intervention. It's a practical tool for live performance that doesn't color the natural tube amp tone.

Recommended for You

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)