Practice Studio

Jeff Beck - Cause We've Ended As Lovers - Guitar Tab

Sections · Loop · Speed · Metronome

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Speed Control

Speed
100%

Tools

BPM
Key G major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Blow By Blow album cover
Blow By Blow
1975 5:42
Capo Advisor 0 G major · Original key

About Cause We've Ended As Lovers


Few instrumental guitar pieces demand as much expressive control as this one. Written by Stevie Wonder and recorded by Jeff Beck for the 1975 album Blow By Blow, the track is essentially a slow vocal melody played entirely on guitar, which means every note has to sing the way a voice would. In G major and at 120 BPM, the tempo feels unhurried, but that spaciousness is exactly what makes it unforgiving: there is nowhere to hide a note that lacks feeling. The challenge is not speed or complexity but sustain, vibrato, and the subtle bending of notes to mimic a human inflection. Playing in E Standard tuning, you will want to focus on your fretting hand vibrato and the way you release bends, keeping them smooth rather than mechanical. Use the Practice Toolbar to loop individual phrases slowed down so you can hear exactly where your vibrato needs more width or your bends need more control. This is a piece where tone and touch matter far more than technique in the conventional sense, and it will honestly show you where your expressive playing stands.

  • The entire melody is played as a guitar vocal substitute, so wide, controlled vibrato and precise bend intonation are the core skills the song demands.
  • Recorded in E Standard tuning in the key of G major, the main melody sits comfortably in the upper positions of the neck where sustain and vibrato are easiest to shape.
  • Because the song is a slow <a href="/genre/blues-rock/">Blues Rock</a> ballad at 120 BPM, practising with the loop slowed down helps you hear and correct any stiffness in your phrasing before returning to full tempo.

How to Play Cause We've Ended As Lovers

Tuning: E Standard · Key: G major · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Beck's signature instrument for six decades, the Strat's bright articulation and responsive tremolo system let him manipulate pitch and dynamics with surgical precision. The two-point synchronized tremolo with steel block provides the tuning stability he needs for extreme whammy bar work.

Fender Telecaster
Guitar

Fender Telecaster

Beck turned to the Telecaster's raw, cutting tone for blues-rock material, leveraging its single-coil bite and direct signal path to channel aggressive fingerstyle playing without a thick midrange.

Gibson Les Paul Standard
Guitar

Gibson Les Paul Standard

The Les Paul's thicker body and humbucker warmth offered Beck a contrasting sonic palette during his Yardbirds era, giving him sustain and body for heavier blues-based riffs.

Gibson Les Paul Custom
Guitar

Gibson Les Paul Custom

Beck's oxblood 1954 Les Paul Custom provided the foundational fat midrange and sustain he needed when transitioning from the Fender Strat's brighter character during early career explorations.

Marshall JCM800
Amp

Marshall JCM800

Beck's amp workhorse for decades, the JCM800 delivers responsive tube breakup that rewards finger dynamics and volume knob control, with mids pushed forward to complement his articulate single-coil tone.

Dunlop Cry Baby Wah
Pedal

Dunlop Cry Baby Wah

Beck uses the Cry Baby's expressive filter sweep selectively on key tracks, treating the wah as a subtle tone-shaping tool that enhances his natural fingerstyle dynamics rather than a constant effect.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)