Practice Studio

Nirvana - Riffs & Solo Come As You Are - Guitar Tab

Sections · Loop · Speed · Metronome

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Select a Loop

Start of your loop
End of your loop

Speed Control

Speed
100%

Tools

BPM
Key F# minor
PLAY WITH BACKING TRACK
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

Nirvana Grunge F# minor
Capo Advisor 0 F# minor · Original key

About Riffs & Solo Come As You Are


Come as You Are is a landmark track by Nirvana from their 1991 album Nevermind, written by Kurt Cobain. This grunge anthem features a memorable bass-driven riff that has become iconic in rock music. Learning this song offers electric guitarists insight into alternative rock's foundational sound and Cobain's minimalist yet powerful approach to songwriting.

  • The song's opening riff was actually adapted from Killing Joke's 1980 track Eighties, a notable musical reference.
  • Released as the second single in March 1992, it reached number 32 on the Billboard Hot 100 chart.
  • Come as You Are peaked at number 9 on the UK Singles Chart and topped charts in multiple countries.

How to Play Riffs & Solo Come As You Are

Tuning: E Standard · Key: F# minor · Tempo: 120 BPM

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 120 BPM to build it up to tempo.

Fender Stratocaster
Guitar

Fender Stratocaster

Cobain used the Stratocaster on several Nevermind tracks, leveraging its bright single-coils to cut through dense arrangements. Though less iconic than his Mustang, the Strat provided tonal clarity for melodic passages within Nirvana's heavy sonic framework.

Fender Twin Reverb
Amp

Fender Twin Reverb

Cobain deployed the Twin Reverb's clean headroom and natural breakup for softer verses and intros, creating dynamic contrast against his saturated Mesa preamp tones. The amp's warm response complemented his sparse, dry-focused signal chain.

DiMarzio Super Distortion
Pickup

DiMarzio Super Distortion

Cobain swapped DiMarzio humbuckers into his Jaguars and Mustangs to fatten their typically bright single-coils, pushing harder into his Mesa preamp for compressed, fuzzy sustain. This high-output bridge pickup was essential to Nirvana's thick, aggressive midrange distortion.

Boss DS-1 Distortion
Pedal

Boss DS-1 Distortion

The DS-1 functioned as Cobain's heavy-hitting boost pedal, slamming the front end of his already-overdriven Mesa preamp to intensify saturation during explosive chorus sections. Its gritty character helped define Nirvana's raw, in-your-face distortion tone.

Electro-Harmonix Small Clone
Pedal

Electro-Harmonix Small Clone

Cobain's signature chorus voice, heard prominently on Come As You Are and clean passages of Smells Like Teen Spirit, added subtle wobble and width. The Small Clone's lush modulation provided dynamic relief against his otherwise aggressive, compressed overdriven tones.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)