Practice Studio

AC DC - Back in Black - Guitar Cover

Sections · Loop · Speed · Metronome

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100%

Tools

BPM
Key E minor
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
AI tone preset

AI-selected preset based on genre and era — adjust the knobs to taste.

Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC DC Hard Rock 1980 E minor
Capo Advisor 0 E minor · Original key

About Back in Black


Few rock riffs are as immediately recognizable as the opening of "Back in Black," and for a guitarist working it out, the first discovery is how much attitude lives in a handful of power chords. The riff sits in E minor and leans heavily on the interplay between open strings and fretted notes, giving it that characteristic ring and weight. Getting the timing right matters more than speed here: each chord needs space to breathe, and the palm muting has to be deliberate without killing the sustain on the accented hits. The chord changes feel straightforward at first, but nailing the rhythmic feel that AC DC built their name on takes real attention. Use the Practice Toolbar to loop the main riff slowed down and focus on keeping your pick attack consistent through the whole phrase. Once the groove is locked in at a slower tempo, bringing it back up to full speed feels natural rather than forced.

  • The main riff relies on power chords rooted on the low strings, with open-string resonance being a key part of its heavy sound.
  • Palm muting technique is essential here: too much kills the sustain, too little loses the rhythmic punch the riff depends on.
  • The rhythm guitar part is a great exercise in consistent pick attack, since any unevenness in your strokes shows up immediately in the groove.

How to Play Back in Black

Key: E minor · Tempo: 94 BPM · Difficulty: Medium

The main riff runs at 94 bpm in E Standard and sits in E minor, built around a signature two-chord power-chord figure that sounds deceptively simple but demands tight palm muting and precise release timing to capture that punchy, controlled growl. Most players learn the main riff first, then tackle the verse and chorus rhythm parts before approaching the solo sections, which require comfort with pentatonic phrasing in the style of Angus Young. The most common pitfall is over-strumming the open strings between the power chords, which muddies the groove; focus on muting with both hands to keep each note clean and deliberate. Use the section loop on the intro riff at a reduced speed to nail the muting control before bringing it up to full tempo.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 94 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)