Practice Studio

AC/DC - You Shook Me All Night Long - Guitar Cover

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Key G major
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Amp Settings

Classic Rock

Gain6
Bass6
Mid7
Treble6
Presence5
Master7
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Roll back the gain slightly and pick near the neck for a warmer, more open crunch.

AC/DC Hard Rock 1980 G major
Capo Advisor 0 G major · Original key

About You Shook Me All Night Long


Few rock rhythms are as instantly recognisable as the opening chords of this 1980 cut from AC/DC's "Back In Black." The song sits in G major and the whole thing is built around a deceptively simple chord sequence that rewards clean, confident fretting more than flash technique. What catches players out is not the individual shapes but the timing: those chords need to land with real authority and a locked-in groove, so sloppy palm muting or lazy chord changes will immediately show up in the feel. The signature intro figure combines open-position chord punches with a short melodic riff, and getting the balance between the chunky rhythm stabs and the ringing notes right takes more repetition than beginners expect. Use the Practice Toolbar to loop that intro figure slowed down until the pick attack and the muting feel automatic. The lead break also calls for expressive bends in G minor pentatonic, so make sure your fret-hand fingers are strong enough to push those bends fully up to pitch.

  • The intro riff blends open-position G major chord stabs with a short melodic phrase, making clean muting between the two the main technical hurdle.
  • The guitar solo draws heavily from G minor pentatonic, with wide bends and vibrato that require confident fret-hand strength to execute in tune.
  • Nailing the rhythm part means locking your strumming hand into a steady groove; rushing the chord changes is the most common mistake beginners make.

How to Play You Shook Me All Night Long

Tuning: Eb Standard · Key: G major · Tempo: 127 BPM · Difficulty: Medium

The foundation of this song is the G major-based opening riff, where Malcolm Young's rhythm guitar and Angus Young's lead lines divide the work cleanly. Most learners find the intro riff manageable but struggle to keep the right-hand picking tight and consistent at 127 bpm without letting the power chords blur together. Prioritize locking in the rhythm part before attempting the solo, since Malcolm's groove is what drives the whole track. Angus's solo is melodically straightforward but requires controlled bends and vibrato to capture its feel, so loop that section at reduced speed to build accuracy before bringing it up to tempo.

Use the section loop to isolate a passage, drop the speed below 100%, and set the metronome to 127 BPM to build it up to tempo.

Gibson SG Standard
Guitar

Gibson SG Standard

Angus Young's 1968 Gibson SG Standard is the foundation of AC/DC's signature tone, its lightweight mahogany body and full upper-fret access enabling his aggressive, fluid lead work. Stock Gibson humbuckers push Marshall Plexi amps into natural tube saturation, giving him the perfect balance of dynamics and crunch without relying on effects.

Marshall Plexi (1959 Super Lead)
Amp

Marshall Plexi (1959 Super Lead)

The Marshall 1959 Super Lead cranked to full volume is where Angus Young's power comes from, with no master volume control forcing the power tubes to compress and break up naturally. This thick, harmonically rich overdrive defines AC/DC's raw, unprocessed rock tone straight from guitar to amp.

Marshall JTM45
Amp

Marshall JTM45

Angus Young uses the Marshall JTM45 as his primary amp for achieving natural tube saturation at high volumes, where the amp's power tubes generate organic overdrive without any pedal assistance. This minimalist, direct approach captures AC/DC's core sound: pure, uncolored guitar and amp interaction.

Play with Backing Track

Play with Backing Track

Solo (Backing Track)

Solo (Backing Track)